ExtraMile
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ExtraMile

'ExtraMan TV'

The process of reimagining ExtraMan was an enjoyable journey of character exploration. Our partners at Drake Cooper asked for an "Evolution not a Revolution" of ExtraMile’s mascot’s previous design. Our biggest goal was to make ExtraMan's intentions clear; he's here to help the customer treat themselves to all the goodies ExtraMile has to offer. So come on in and meet ExtraMan!

Credits

Design & Animation
Scholar

Creative Directors
Will Johnson, Mike Tavarez

Art Directors
Cam Floyd, Hana Yean

Managing Director & E.P.
Jo Arghiris, Anne Skopas

Managing Executive Producer
Kirsten Noll

Director of Production
Tyler Locke

Head of Production
Nicole Smarsh

Producers
Kevin Jones, Nicky Maser

CG Supervisor
Brice Linane

Designers
Madison Ellis, Danni Fisher-Shin, Cam Floyd, Jina Kwon, Madison Kelly, Hana Yean, Christopher Ables, Felipe Hansen, Elina Mushinskaya, Maliheh Rahrovan

Storyboard Artist
Gordon Klujcec

Model/Texture Artists
Brice Linane, Krista Albert, Alexandria Federico, Lucia Huang, Kevin Kolondinsky, Diego Melgar

3D Animators
Derek Friesenborg, Mike Di Nocco, Paul Wei

2D Animators
Sam Button

FX
Tim Hayward

Rigging
Nico Sanghrajka

Lighting
Matt Berenty, Brice Linane, Cody Chen, Kevin Kolodinsky, Michael Lampe

Compositing Lead
Dae Kang

Compositors
Ryan Kaplan, Cris Kong, Michael Lampe, Michael Loney

Flame
Ryan Kaplan 

Editor
Jason Webb

Assistant Editor
Dominic Strazulo

 

Mix & Sound Design
Duotone 

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We had an amazingly talented team of animators who quickly got to work figuring out how ExtraMan would move. We decided early on that he was capable of superhero speeds and stunts but he would only use these skills to help the customers or when presenting to the viewer. ExtraMan's movement revealed he was in control of his situations but was still susceptible to the occasional automatic sliding door closing on him.

PROCESS

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Once we discovered his personality we began redesigning him, sketching dozens of design options that were short, tall, skinny, or muscular. We also presented pages of color options for his suit and crest, until we narrowed down his design to one that fit our initial goal of making him more approachable.